Sam Jones: Afro-Caribbean Grooves

Sam Jones shows you how to take Afro-Caribbean and Latin grooves, from calypso and soca to Afrobeat and songo, and make them work in modern jazz, jam sessions and beyond.

3 chapters 1h9m

A taster of what's inside

What you'll learn

Jam session grooves
Calypso and soca
Dancehall and reggaeton
Afrobeat kick patterns
Afro-Cuban songo
The 332 pulse
Ghost note control
Halftime and double-time

Inside the pack

1

Dancehall, calypso and soca

Sam builds a jam-ready toolkit of dancehall, calypso, soca and reggaeton grooves, then shows how they link to Yussef Dayes’ “Grow”.

19m
2

Afrobeat and Afro-Cuban songo

Afrobeat and Afro-Cuban songo take centre stage, along with the Cuban teacher’s tips and how Justin Tyson’s groove grew out of songo.

23m
3

Building your own groove

Sam turns the 332 pulse into halftime and double-time feels, using JD Beck’s “Moon” and his own tune “Solstice” to show how it all fits together.

25m

Your teacher

Sam Jones

A South East London drummer, producer and DJ best known for his work with Mercury-shortlisted saxophonist Nubya Garcia, MOBO winner Binker Golding, and as musical director for Ivor Novello winner Obongjayar. A Tomorrow's Warriors alumnus, Sam blends the grime, UK bass, jazz, reggae and dub of his London upbringing.

Nubya Garcia Binker Golding Obongjayar Yamaha Drums

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